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Musical Depictions of Horror in Video Games - Interviews with Game Composers and Audio Directors

What is it about?

This article explores perceived links between avant-garde music (defined in ‘populist’ terms as a ‘catch-all’ phrase for twentieth-century music exploiting experimental techniques, modernism and atonality) and depictions of horror and fear through interviews with leading game composers and audio directors.

Why is it important?

The article would be of potential interest to anyone with an interest in game audio, commercial composition/composers, game development, creative collaboration, audio direction and the power of music to manipulate the emotions in association with visual media.

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The following have contributed to this page:
Helen Mitchell
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