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What is it about?

This article describes how Anglo photographer Laura Gilpin incorporated Indigenous (Navajo/Diné) understandings of land, landscape, and homeland into her photographs of the traditional Navajo homeland, known as Dinétah.

Why is it important?

This article presents Gilpin in terms of her allyship with Indigenous (Navajo/Diné) values and collaborators, which offers us an important precursor to and model for parallel acts of allyship today. It also offers a useful model of how art can engage in political advocacy.

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The following have contributed to this page:
Louise Siddons
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