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Working with movement and ancient ritual to create pencil portraits of gods and mythic beings.

What is it about?

Experiments in combining praxis in somatic movement arts with the 2000 year old ritual technologies from The Greek Magical Papyri, to produce highly detailed realistic pencil drawings of ancient gods. Includes wonderings about the nature of creative muse, inspiration, and what makes an artwork 'alive' and vivid even many hundreds or thousands of years later.

Why is it important?

As I continue to deepen these practises, and others come into contact with the finished drawings, I’m seeking to discover whether there is some intangible force that comes into, that infuses and inhabits, and leaps out again from the resulting artworks?

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Red K Elders
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