Originally used for cinema productions in officially bilingual countries and international film festivals, bilingual subtitling has now resurfaced as a response to the growing affordances of streaming media. We witness its a proliferation of bilingual subtitling tools and practices in different contexts, from PC-based tools and Chrome extensions that add bilingual subtitle features to streaming platforms (Netflix, YouTube) to amateur (optionally bilingual) subtitling streaming services (Viki Rakuten), video sharing websites (Bilibili), and online channels with open bilingual subtitles embedded in their videos (Easy Languages). Bilingual subtitling is further promoted as a pedagogical tool for foreign-language learning that matches the expectations of contemporary learners, especially ‘digital natives’ who have grown up with new online modalities. The conventional ways in which audiences used to engage with audiovisual content have, arguably, been superseded as streaming platforms that offer an abundance of options in terms of language and content are gradually reshaping viewing patterns. Shifting away from long-established patterns of passive TV consumption,one can notice online collaborations and initiatives that seek to incorporate bilingual subtitles in language learning while promoting the active participation of the audience within the emerging media streaming landscape.