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Literary realism across the European languages and beyond

What is it about?

Few literary phenomena are as elusive and yet as persistent as realism. While it responds to the perennial impulse to use literature to reflect on experience, it also designates a specific set of literary and artistic practices that emerged in response to Western modernity. Landscapes of Realism is a two-volume collaborative interdisciplinary exploration of this vast territory, bringing together leading-edge new criticism on the realist paradigms that were first articulated in nineteenth-century Europe but have since gone on globally to transform the literary landscape. Tracing the manifold ways in which these paradigms are developed, discussed and contested across time, space, cultures and media, this first volume tackles in its five core essays and twenty-five case studies such questions as why realism emerged when it did, why and how it developed such a transformative dynamic across languages, to what extent realist poetics remain central to art and popular culture after 1900, and how generally to reassess realism from a twenty-first-century comparative perspective.

Why is it important?

The latest resurgence of realist modes of writing in all European languages and beyond since the 1990s demonstrates the continued relevance of this aesthetic tradition - also for cinema and other visual media. This volume develops an innovative approach to understanding and rethinking realism that is also unprecedented in considering a full range of European languages and interaction between European and other languages and literatures.

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The following have contributed to this page:
Rosa Mucignat, Robert Weninger, and Dirk Göttsche
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